2012 Charlie Parker and "Honeysuckle Rose": Voice Leading, Formula, and Motive. Music Theory Online 18.3
2011 More Than Just Guidetones: Steve Larson's Analyzing Jazz--A Schenkerian Approach. (review-essay) Journal of Jazz Studies 7.1: 121–44.
2011 Schenker and the Tonal Jazz Repertory. Tijdschrift voor Muziektheorie 16.1 (February): 1-20.
2008 Balancing Composition and Improvisation in James P. Johnson's "Carolina Shout." Journal of Music Theory 49.2 (Fall 2005) 277-99.
2008 Report on the Mannes Institute 2008. Music Theory Online 14.3. Co-authored by Martin and five others. As principal author, Martin wrote the introduction to the report as well as a detailed summary of the activities of the Mannes Institute workshop, Charlie Parker's Bebop Style.
2006 Charlie Parker as Composer, Musica Oggi 24: 28-43.
2006 We Remember Clifford: Variation Technique at the Middleground, Tijdschrift voor Muziektheorie 11.1 (February): 1-8.
2005 Constructing a Post-Modern-Jazz Pedagogy (co-authored with Robert Wason), Jazzforschung/Jazz Research 37 (December): 163-77.
2005 Jazz Theory and Analysis: An Introduction and Brief Bibliography, Zeitschrift der Gesellschaft für Musiktheorie. 2. Jahrgang, Ausgabe 2 (on-line publication available at
2004 From Fountain to Furious: Ellington's Development as Stride Pianist, Musica Oggi 23: 55-68.
2004 Review of Jeff Sultanof's Miles Davis, Birth of the Cool: Scores from the Original Parts, Annual Review of Jazz Studies 12: 213-18.
2003 Maria Schneider's "Hang Gliding": Aspects of Structure, Tijdschrift voor Muziektheorie 8.1 (February): 16-24.
2003 Review of Paul S. Machlin's Thomas Wright "Fats" Waller: Performances in Transcription 1927-1943, Vol. 10 of Music of the United States, Music and Letters 84.1 (February): 163-65.
2001 Prism on an Era: Scott DeVeaux's The Birth of Bebop, Annual Review of Jazz Studies 10: 269-90.
2001 Seven Steps to Heaven: A Species Approach to Twentieth-Century Analysis and Composition, Perspectives of New Music 38.1 (Winter, 2000): 129-68.
2000 Jazz Pianists of the 1920s and 1930s, The Oxford Companion to Jazz. Ed., Bill Kirchner.
2000 The Nature of Recomposition: Miles Davis and "Stella By Starlight," Annual Review of Jazz Studies 9: 77-92.
1998 Review of Elizabeth West Marvin's and Richard Hermann's Concert Music, Rock, and Jazz Since 1945 - Essays and Analytical studies, Music Theory Spectrum 20.1 (Spring): 141-51.
1997 Jazz Theory: An Overview, Annual Review of Jazz Studies 8: 1-17.
1994-95 Thomas Owens's Bebop: The Music and Its Players, Annual Review of Jazz Studies 7: 263-8.
1988 Jazz Harmony, A Syntactic Background, Annual Review of Jazz Studies 4: 9-30.
1987 Syntax in Music and Drama, In Theory Only 10.1-2 (August): 65-78.
1984 Horizons '84, Program VI, June 4, 1984, Perspectives of New Music 22.1-2: 514-15.
1978 Comment on Peter K. Winkler, "Toward a Theory of Popular Harmony," In Theory Only 4.5 (October): 36-8.
1978 Review of Beyond Schenkerism by Eugene Narmour, Perspectives of New Music 17.1 (Fall-Winter, 1978): 196-210.
1977 A Structural Model for Schoenberg's "Der verlorene Haufe," In Theory Only 3.3 (June, 1977): 4-22.
1977 Modes of Explanation in Analytical Discourse, Perspectives of New Music 15.2 (Spring-Summer): 174-93.
1976 Maury Yeston's The Stratification of Musical Rhythm, In Theory Only 2.5 (August): 13-26.
1976 The Linear Analysis of Chromaticism, In Theory Only 2.1-2 (April-May): 47-50.
1975 Aural Sketches: Chick Corea's "Where Have I Known You Before," In Theory Only 1.2 (May): 4-9.

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